My 2020

In 2020 my online Etsy business, Red Barn Pottery, grew 100% so I spent most of my year as a workaholic.  My pottery business that originally began as a hobby had been growing steadily for the past several years. I juggled teaching, (my first profession) and making pottery, but I had gone to part-time teaching so it had a nice balance until it wasn’t anymore. I was working too many hours trying to do both. 

In June 2020 I retired from teaching.  After over 30 years working in education, it was odd to end my career by teaching on Zoom. I taught a mixed aged group of 5-8 year olds, and even by the end of the year some of them still showed up for “class” in their pjs without a pencil or paper and sometimes they were even on their beds.  It wasn’t because of Zoom teaching that I retired, but it helped make things clearer.  Even though I miss the kids and I miss the colleagueship of being part of a school, I am in my happy world creating things from clay and running my own business from home at this stage of my life. 

I had already stopped selling pottery at in person shows as of 2018, so I was well positioned for the pandemic. When I saw things starting to shut down I rushed to stock up on supplies, and throughout this time, sourcing supplies has been one of my biggest challenges.  Keeping up with orders has been tricky too. Apparently people are willing to wait up to 10 weeks for me to custom make dishes for them, and I was still down to the deadline on more than a few. So I decided to hire help for shipping which is new and scary.  It is super weird not to do everything myself, but I would have had to shut down more than the times I already did to stay on top of all of the orders.

In 2020 I decided it was time to get a new kiln, as my original was used when I purchased it 18 years ago and felt small for my current needs. Because of the pandemic I had to wait for it for 4 months for delivery, and then it got sent to the wrong state. It felt in keeping with all of the craziness of the times.  In 2020 I also invested in new lighting.  I literally had light bulbs on cords in my work places, and I never had enough light.  Real lighting is amazing!! I am grateful for electricity and my electrician who listened to my needs and scenarios and helped me get a system that works great for me. Who knew that light switches for all those new lights would be so exciting?  And now I have a heater for the winter months I spend working in the basement instead of my barn that is too hard to keep heated during the coldest times. In the winter I used to feel like I was going down to the dungeon to work in the basement.  Our house was built in 1812 and has a stone foundation. Thankfully it feels brighter and warmer now. 

On numerous occasions in 2020, especially in the past months,  I had a carload of parcels I couldn’t even imagine carrying all inside the post office. Since I print all the shipping labels at home, I started calling the post office ahead of my arrival and my sweet and friendly postmaster met me at the back door with a scanner and a big mail cart to fill. My daily trips to my wonderful post office makes my job a little brighter each day. 

As much as possible I try to collect packing materials from friends and neighbors to keep what I can out of the landfill, and in 2020 I needed more than ever. I am heartened by all the folks who drop off packing materials to me or contact me for a pick-up.  If you live near me, or if I see you from time to time, packing peanuts and bubble wrap make me very very happy! 

I am forever grateful to my husband Ken for all his help and support.  Ken now does my clay pick ups for me south of Boston at least a 1000 pounds at a time. It is Ken who listens to me when I need to process about my growing pains. It was who Ken helped me turn our old barn into a studio and built me my giant hand-building table. He embraced Clay Play Studio Art Camp at our house for over a dozen years which was started as a way to bring camp to us when my children were small and to offset my costs for my expensive hobby. A few years ago I realized that I couldn’t take time from my studio for camp anymore, and I felt grateful this summer that I didn’t have to worry about running camp during a pandemic!

I was riding the wave of growth all year, feeling a bit guilty that things were going so well for me when others were struggling so much. I was thrilled but also a bit overwhelmed at times.  I have ended this year by closing my on-line shop for several weeks so I can regroup, relax. reflect, and envision what I want for 2021.  I have never had a business plan, but I am thinking about one now. I am not much of a social marketing net-worker and this probably won’t change.  I am busy enough without it.  My main goals have been to be authentic and true to myself and to make what I make to the best of my ability. I try to treat customers as I would want to be treated, and when the few bad eggs come around, I try to move forward and not let their energy take me down. (It usually takes me a day or two to get there. Thanks Ken for always reminding me of what is important and steering me back on course!)  Fortunately almost all of my customers are wonderful. And even though I don’t usually get to meet my Etsy customers in person, I have gotten to know many of them. Many keep returning to add to their collections or to purchase gifts. 

So 2021. Here we are.  I am still in reflection mode.  I have not been taking new orders while I work to get my orders queue down to start the new year fresh, but I am back to making pieces in a peaceful way in my brighter and warmer winter basement studio.  The winter months are my least favorite, but I try to spend time outside every day.  It’s good to have a dog.  I look forward to the spring each year when I can move back into my Red Barn Pottery studio. 

Cycles and Resolutions

Another year comes to a close.  New beginnings abound.  Especially at the start of winter in Vermont when it is so often cold and dark, it’s a time for reflection,  wrapping up projects and thinking ahead.  I’m taking stock of all I’ve accomplished in the past year and thinking about my goals for the coming year.  

In my pottery business, I am always intending to write more blog posts and to be more active on social media.  These things don’t come naturally to me. It is one thing to be a maker (form pieces from clay, glaze it, fire it, photograph it, box it up, and ship it);  it is another thing to write about it and tell the story.

I feel pretty passionate about my work and running my own business from home. I was able to turn a favorite hobby into something that sustains me and brings joy to others. 

So my resolution for the new cycle is to share more about what I do and how I got to this point.  Just saying that makes my heart race.

End of an era: No Clay Play Camp 2018


After more than a dozen years of running Clay Play Studio Art Camp at my home and studio, it is time for me to change course.  My pottery business has been growing steadily in recent years, so it has gotten more difficult to move out of my studio for the camp weeks and not have use of my studio for much of the summer.

My hope is to offer summer workshops beginning in 2019, but for summer of 2018, I am going to immerse in my own clay projects and gardens.

I have truly enjoyed and appreciated all of the children that have attended year after year, and I will miss them and their wonderful projects.

Warm regards to all,   Nancy

Glazing Days

Glazing Days

I start out by laying all the pieces that I plan to glaze on my work table.

There are so many steps involved in making a piece of pottery.  One of the most important but often the most difficult is glazing.  It is art, chemistry and physics and I believe a bit of magic.  It is a part of the craft that often feels separate for me from the clay, and it is a bit scary too. I never know quite what I am going to get, and the opening of every kiln load is a surprise.  I have learned to roll with the punches, because that is a part of the process.  Often in the same kiln load I will have wonderful and terrible.  I may open to find one or more of the most beautiful piece and other pieces may have cracks and drips that leak onto the kiln shelves which then requires scraping and on occasion, putting the shelf into the pottery grave yard.

There are so many choices to make when glazing.  Just to have a collection of glazes takes a lot of experimentation and testing, as not all glazes fit with all clays.  If one shrinks more than the other, the piece breaks.  And there is temperature to consider, as glazes mature with different amounts of heat.

Today is a glazing day.  The studio is nice and warm from a glaze firing that is still in the kiln cooling, so that is a big bonus on a chilly and gray November day in Vermont.  The pieces that are in the kiln now were either orders or things that are easier for me to glaze.  Today I am faced with the pieces that require more artistic choices.  These are the pieces that I must get into the Zen of my work and channel my visions, because what is on the piece at the glaze state looks nothing at all like what will come out of the kiln after it is fired!

I have a large collection of brushes because all of my work is hand-painted with the glaze.

The load that is in the kiln now. These mugs and other pieces will come out to be an assortment of colors.

Working with Queen Anne’s Lace


Queen Anne’s Lace is one of my favorite wild flowers, and I often use it in my botanical pottery pieces. In Vermont, where the growing season is short, the Queen Anne’s Lace is starting to go to seed.  Though there has been plenty of time to work with this plant, my summer was quite full running Clay Play Camp and doing a myriad of other things, so I am feeling squeezed to make the Queen Anne’s pieces that I had hoped to make before their season ends.


Just as its name suggests, this plant is both delicate and regal.  Like a queen, it has a certain strength.  It doesn’t blow over in the wind, or bend with heavy rains, and its white flowers stay proud and white before curling up to a strong boney frame that lasts through the winter months, poking out of the snow so you can remember the warmer days behind you and those yet to come.  In the summer it grows in fields and on roadsides, volunteering itself with ease.  Yet, when you go to pick it, it doesn’t break free from where it has rooted itself very easily.  I must remember to collect it with clippers in tow and a bucket of water to place the picked flowers in.  For if the Queen Anne’s Lace is without water, it quickly shrivels up into a wilted mop, and its white petals become dust.

In Victorian times, flowers and plants were assigned meanings, and remembering this symbolism in modern day is still popular.  I enjoy thinking about these meanings when I work with a particular plant.  In the secret language of flowers, Queen Anne’s Lace is a symbol of femininity and represents perseverance in love.  It is a prolific plant which spreads its seeds in the wind and is even considered an invasive plant in some states. Originally a native plant of Europe, Queen Anne’s Lace was popular in the during the reign of Queen Anne. It is also known as Wild Carrot because it is related to the carrot, but it is actually in the parsley family!img_0268

Queen Anne’s Lace has medicinal uses.  The seeds have been used to help clear out urinary stones, and the roots which are like carrots, have been used as antacids.  A poultice of roots can be used to relieve itchy skin.

Invasive or not, I love the wispy appearance of this plant despite its true tenacity.

To see my Facebook Album, “A Step-by-Step Process of Working With Queen Anne’s Lace”, click on the following link. Botanical Wall Hanging: From Field to Firing







I’m not a skier or a runner. I’m just a walker, slow and steady like the turtle, almost every day. There is no race, just the moment, filled with air, crisp and clear in the winter, sultry and thick in the summer.



winter trail


It’s a magical, quiet, peaceful, restorative, meditative, yet often social haven that I come to. These well loved, spacious and preserved trails in my neighborhood, are cared for by a trust that understands the need for such places. Lucky I am to live near this place. Funny, but I went infrequently before I got a dog nearly six years ago. Now it is a daily inspiration for body, soul, and for my clay work.




ivyThank you to my dog, Ivy, for teaching me about daily walks. Thank you to the visionaries who protected the lands and those who continue to care for them.  And thank you to all of the plants, trees, birds, animals, fungus, and all of the other life forms for just being there to witness through the cycles of weather and seasons.




view with shadows

Photographing Pottery: My story and a few tips

My photo studio
My photo studio

There are so many aspects to running a ceramics and pottery business, and taking photos of my work is one of them. I have tried many techniques over the past few years, and I continue to make tweaks to my systems for ease and better quality. My photographs are by no means professional quality, and I still have a lot to learn, but I can do it myself.

The best part that I notice over and over, is that when I do a photo shoot of my work, I find myself falling in love with each piece. Looking at each item closely,  trying to show how it functions and convey what makes that piece special is kind of magical. It makes me excited to get back to clay and make some more.  Since I specialize in one-of-a kind work, and I sell a lot of pieces on line, I spend a lot of time photographing and editing photos. Lately I have been wondering if I should start making more multiples, but that is another story.  So for now, I photo and edit constantly.

Back story and my current system for taking photos:

Once upon a time, I went to a workshop on how to take photos of your artwork. It was a fascinating class, and I came away from it equipped with knowledge and ideas.  Unfortunately, I didn’t have the budget to support all of the professional photography equipment that I learned about. My photographer cousin gave me directions on how to create the budget version lighting system, and I tried.  My husband, the engineer, got really excited about it too, and he tried to make me a light box and worked on various lighting solutions.  All of our attempts added up to crappy photos, so I went back to what I had been doing. Below I address three main points: light and background set up, camera, photo editing.

Instead of a light box and professional lighting, I photograph by the natural light of a window.  I used poster board as my background for several years, but have recently upgraded to a photo paper background.   I have also moved my station to a permanent set up on a table instead of getting up and down off of the floor and constantly rolling up my paper each time between photo shoots.  (The pets in the house always think that the photo paper is the best place in the house to walk, of course!)

I learned in the photo workshop that I should use a “real camera”.  Again I tried, but I like things that are REALLY simple. When I take photos using a “real” camera, I also have to use a desktop computer to load the photos and edit them. Unfortunately sitting at a desktop to load, organize and edit photos does not agree with my personality type.  We have to be true to ourselves, right?  So I continue to use my iPhone to take photos, and I have fully come to peace with that.  Fortunately the camera on the phone keeps getting better and better.

For editing photos, I kept hearing about a popular software for the desk top computer. I tried it, but it felt too complicated and laborious for me with the multitude of photos that I have to edit.  I just can’t sit in front of a computer for that long! So I went back to my happy way on the iPad. I use a photo transfer app to shift the photos from my iPhone to my iPad, and I have created albums in my iPad such as “to edit” and “ready to list” for my work in progress. It is so easy to do a transfer, as all I need is wifi- and no cords.  To do the editing,  I use the app called Snap Seed.   I like the portability of the iPad for editing, and I am just so much faster and adept at using the touch screen.

A few simple tips:

Pick a bright day that is not too sunny. Sun reflects off the pottery glaze and makes big glare areas.

Set up an area with a background that allows you to show off your work.  I have stuck with white, though I have tried a few other backgrounds.  Why?  My work has a lot of color and variation, and the white background shows off the pieces the best, in my humble opinion.  I am glad that I invested in photo paper because it is much wider and longer, so I don’t have to worry about the edges of the paper as I did with poster board.  However, I went for years using inexpensive poster board, so that is a good inexpensive option if your pieces are not too large.

Take a lot of photos. Take them from every angle, and turn the piece around.  Prop it if you need to catch the light in different ways.  Find things to put around your piece to show how it fits into the everyday world.  Take time to fall in love with your creation so that others can fall in love with it too.

Be honest.  Don’t disguise defects.  Don’t over edit.  Allow your piece to speak for itself.  With that said, one of the hardest and most challenging things for me is to make the photo of the piece look half as beautiful as the piece itself.  My work almost always looks better in person, but then pottery is so tactile and three dimensional, and it is very difficult to represent in a 2-D format.







Last year we were burred in snow!


Winter took a long time to come this year, but as sure as ever, it is here at last.  For me the cold means closing down my studio, and moving everything into my basement until the temperatures are mostly above freezing again.  In Vermont, that usually means late March or early April.  Though I have a heat source, I cannot keep the barn warm enough to risk that my precious clays and glazes won’t freeze.  Even with the heat on, there comes a point where I just can’t be warm enough in there to work anyway.  Clay is cold and damp as it is.

So even though it was a muddy Christmas, and we were able to barbecue instead of ski, I was not complaining at all because it meant that I could keep making pottery in my studio.  This was the furthest into the winter that I have ever been able to keep working, and I was happy.

The winter is when I can take stock, regroup, plan my future, do all of my clerical work, and dream about what I want to make next.  I usually find myself making a few things in the basement, but in a 200 year old farm house, it is not the most pleasant place to work.

Even though I am a hearty Vermonter and go outside nearly every day for long walks, I kind of endure the winter, and I long for the days when I can pick fresh plants and flowers and make more botanical pottery pieces.

Maidenhair ferns growing in the spring.
Maidenhair ferns growing in the spring.

Maidenhair bowl
Maidenhair bowl