Glazing Days

Glazing Days

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I start out by laying all the pieces that I plan to glaze on my work table.

There are so many steps involved in making a piece of pottery.  One of the most important but often the most difficult is glazing.  It is art, chemistry and physics and I believe a bit of magic.  It is a part of the craft that often feels separate for me from the clay, and it is a bit scary too. I never know quite what I am going to get, and the opening of every kiln load is a surprise.  I have learned to roll with the punches, because that is a part of the process.  Often in the same kiln load I will have wonderful and terrible.  I may open to find one or more of the most beautiful piece and other pieces may have cracks and drips that leak onto the kiln shelves which then requires scraping and on occasion, putting the shelf into the pottery grave yard.

There are so many choices to make when glazing.  Just to have a collection of glazes takes a lot of experimentation and testing, as not all glazes fit with all clays.  If one shrinks more than the other, the piece breaks.  And there is temperature to consider, as glazes mature with different amounts of heat.

Today is a glazing day.  The studio is nice and warm from a glaze firing that is still in the kiln cooling, so that is a big bonus on a chilly and gray November day in Vermont.  The pieces that are in the kiln now were either orders or things that are easier for me to glaze.  Today I am faced with the pieces that require more artistic choices.  These are the pieces that I must get into the Zen of my work and channel my visions, because what is on the piece at the glaze state looks nothing at all like what will come out of the kiln after it is fired!

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I have a large collection of brushes because all of my work is hand-painted with the glaze.
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The load that is in the kiln now. These mugs and other pieces will come out to be an assortment of colors.

Working with Queen Anne’s Lace



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Queen Anne’s Lace is one of my favorite wild flowers, and I often use it in my botanical pottery pieces. In Vermont, where the growing season is short, the Queen Anne’s Lace is starting to go to seed.  Though there has been plenty of time to work with this plant, my summer was quite full running Clay Play Camp and doing a myriad of other things, so I am feeling squeezed to make the Queen Anne’s pieces that I had hoped to make before their season ends.

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Just as its name suggests, this plant is both delicate and regal.  Like a queen, it has a certain strength.  It doesn’t blow over in the wind, or bend with heavy rains, and its white flowers stay proud and white before curling up to a strong boney frame that lasts through the winter months, poking out of the snow so you can remember the warmer days behind you and those yet to come.  In the summer it grows in fields and on roadsides, volunteering itself with ease.  Yet, when you go to pick it, it doesn’t break free from where it has rooted itself very easily.  I must remember to collect it with clippers in tow and a bucket of water to place the picked flowers in.  For if the Queen Anne’s Lace is without water, it quickly shrivels up into a wilted mop, and its white petals become dust.

In Victorian times, flowers and plants were assigned meanings, and remembering this symbolism in modern day is still popular.  I enjoy thinking about these meanings when I work with a particular plant.  In the secret language of flowers, Queen Anne’s Lace is a symbol of femininity and represents perseverance in love.  It is a prolific plant which spreads its seeds in the wind and is even considered an invasive plant in some states. Originally a native plant of Europe, Queen Anne’s Lace was popular in the during the reign of Queen Anne. It is also known as Wild Carrot because it is related to the carrot, but it is actually in the parsley family!img_0268

Queen Anne’s Lace has medicinal uses.  The seeds have been used to help clear out urinary stones, and the roots which are like carrots, have been used as antacids.  A poultice of roots can be used to relieve itchy skin.

Invasive or not, I love the wispy appearance of this plant despite its true tenacity.

To see my Facebook Album, “A Step-by-Step Process of Working With Queen Anne’s Lace”, click on the following link. Botanical Wall Hanging: From Field to Firing

 

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